Last week’s print course session was on linocut printing. I really loved doing this. Knowing in advance what we were going to do, I went through my list of photographs and chose a few that had a good amount of contrast. With each of these, I used Lightroom to produce a clean B&W print, which I further modified to produce an image that looked good in what was basically 2-bit. Of those, two seemed to present the best combination of not-too-difficult alongside still-interesting-image. I cropped and printed each as 6×4 (since that was the size we were told the lino would be: btw, one guy on the course asked what lino was: see this fascinating wikipedia article), both normal and reverse.
Nichola gave us each some basic instruction in lino preparation and cutting, handed out the tools and then left us to it. I picked the simplest of my images but even that proved to take a long time.
I put some carbon paper onto the lino and the reverse image over that and then traced out the lines. I was going to scribble in the areas to be cut out but it took me so long to do the tracing I was running out of time so I just started cutting. Hell, it hurt after a while. I probably wasn’t holding the cutting tools correctly. At least I hope I wasn’t since my thumb was still partially numb three days later!
Most of the class were making multiple prints while I was still cutting so I stopped in the end and just printed what I had. I can see bits where I cut what I shouldn’t and other bits that were left that should have been removed. Still the images look ok.
The photograph I started with was (blurred line through the middle is a telephone wire):
I made three prints. The first in orange, second in black and third in purple. The third looked much like the second so I’ve left it out. The first two were:
I’m really pleased with these. I enjoyed the work, love the type of image produced and am sure that this and monoprinting are the way I’m meant to go. This week is hard ground etching, which I’m less sure of. Still need to decide on images to take along.
One lesson I need to remember is to allow more time for carving, which should be okay since I’ll probably work on the carving at home and only take the lino in when I have a few to print. More important is to properly mark out the cutting areas on the lino. Using carbon paper is not good enough. As I was cutting, my hand was erasing other parts of the tracing. Nichola suggested going over the tracing with permanent ink which I’ll do in future.
Also need to use any photograph only as a starting point. I need to trace the photograph onto paper (or not even that) and then compose the image I want using black pen and brush.
Line of clouds along the steep banks of Lake Manapouri.
The whitish lines on the hills behind the clouds are where the trees have slid into the lake.
The soil covering the rock of the hills is only a few inches deep and this is all the trees are rooted into. When trees high up lose their grip, they fall into lower ones, causing them to fall and so on resulting in a long slide into the lake. It’ll then take hundreds of years for that strip to regrow trees.
Another, closer shot.